: 主催：鮭スペアレ
共催：CHABOHIBA HALL（公開リハーサルのみ）
協力：たちかわ創造舎・風煉ダンス
助成：芸術文化振興基金
Sponsored by SYAKE-SPEARE
Co-sponsored by CHABOHIBA HALL
Cooperated by TACHIKAWA-SOZOSHA, FUREN-DANCE
Granted by Japan Arts Council

“老い”は誰も幸せにしないのだろうか？狂気や執着によって人はどうなるのだろうか？性別や年齢にとらわれないキャスティングを用い、音楽としての言葉/言葉としての音楽を追求する“鮭スペアレ版”リヤ王。『ロミオとヂュリエット』『ハムレット』『マクベス』に続く、坪内逍遥訳・シェイクスピア上演の第四弾。劇団初の能楽堂での上演。

Is no one can be relieved from the anxiety of growing old? How our virtue can be driven by tenaciousness and insanity? We’d like to ask these questions throughout the play, using virtuosic physicality and impressive vocal range and music. 6 years have passed since we started to present Shakespeare’s Romeo & Juliet (2014-2015), Hamlet (2017-2018), and Macbeth (2018-2019). Liberated from preconceived notions of gender and age, we perform our King Lear for the very first time on the Noh stage.

Translated by Sumire Ueno

鮭スペアレSYAKE-SPEARE

東京都立川市を拠点とする、女性中心の劇団。2006年旗揚げ。2010年より日本語を発語することから発想する音楽劇を上演。力強さと柔らかさを兼ね備えた何ものにもならないニュートラルな身体と音声・ジェンダーフリーのキャスティングで、「コンテンポラリー能」とも言われる独特の世界観を築き、古典戯曲を換骨奪胎し現代の問題として捉えなおす。

SYAKE-SPEARE was founded in 2006, based out of Tokyo: Tachikawa city. Since 2010, we have performed original musical plays with live music, using the sound of the Japanese language. Featuring dynamic and adaptable actresses using their neutral body as a blank canvas, we create original pieces that are sometimes called contemporary Noh. SHAKE-SPEARE’s “Macbeth (2018-2019)” was picked up by a magazine “American Theatre” May/June 2019 issue, and it was also introduced in the open forum in Martin E. Segal Theatre Center at City College New York. ▷www.americantheatre.org/category/issue/may-june-2019

Translated by Sumire Ueno

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鮭スペアレ本公演 物狂い音楽劇『リヤ王』KING LEAR

鮭スペアレSYAKE-SPEARE

鮭スペアレSYAKE-SPEARE

お問い合わせContact

鮭スペアレ本公演　物狂い音楽劇『リヤ王』KING LEAR