舞台にあらわれ、耳をすまし、ゆっくりと、一歩踏み出す。その場にあるものを一つも見逃さず、何もなかった事にはせず。「そこにいる」という事実をつきつめる為、立つ／歩く／見る／聞くといった、人間の一番根本的な動作のみでの上演を行います。これまで一貫して同じ問題意識で行ってきたソロ公演を、より深めた内容で上演致します。https:// www.takemototakuya.com

The figure appears on stage, listens closely, and takes one slow step forward. The figure does not overlook a single thing, does not act like nothing has happened. In order to investigate the very fact of existing there, the figure performs this piece using only the most basic human actions: standing, walking, watching, and listening. Continuing to address the thematic and formal concerns of his earlier solo performances, a figure out noon goes one step beyond Takuya Takemoto's previous work. https:// www.takemototakuya.com

武本拓也TAKEMOTO Takuya

そこにいるとはどういう事か。そうした問題意識のもと、ただそこにいるという上演を、観客の有無に関わらず毎日繰り返し行っています。それは日々の行いとして、常に形を変え続けて、その時の姿を現しています。武蔵野美術大学映像学科卒業。美学校実作講座「演劇似て非なるもの」第4期修了。これまでに、『象を撫でる』（2018年5月）、『あらわれる』（2017年12月）などのソロ公演を行っています。

お問い合わせ
https://www.takemototakuya.com
takemoto.info@gmail.com

What does it mean to exist somewhere? With this problem in mind, every day I repeat performances of simply being there, whether an audience is present or not. As a part of my daily routine, these performances gradually change form, becoming a snapshot of a moment in time. Graduated from Musashino Art University Department of Imaging Arts & Sciences. Enrolled in and completed Bigakko's "Engeki Nite Hinaru Mono" course. Solo performances include Touching an Elephant (2018/5) and Emerging (2017/12).

Contact
https://www.takemototakuya.com
takemoto.info@gmail.com