Group Meeting

: BankART Studio NYK 2F

2.9 Tue 10:00 - 15:30
2.10 Wed 10:00 - 15:30

Group Meeting: A program where participants that share interest can meet and talk. You can either propose a theme and host a meeting or participate in meetings that you are interested in. Any TPAM registrant can host a meeting (see “Registration”). Reservation not required for participation in the meetings.

“Table” is for a small and intimate meeting with up to 12 participants and host(s).
“Room” is equipped with a video system and an English–Japanese consecutive interpreter supports your presentation, with up to 30 participants.

To register as a host, you need to register TPAM first
You will have the access to your ‘MyPage’ where you can apply Group Meeting Host Registration.
Host registration fee is not included in TPAM registration fee.

1st deadline: 1.15 Fri

Final deadline: 1.25 Mon

Table

Host registration fee ¥6,000 / 30min.(up to 2 units = 1 hour)
Guest particiationAdmission free for TPAM participants(reservation not required)
Capacity 12 people
Services offered
A table and chairs
Meeting theme translation and dissemination

Room

Host registration fee ¥17,000 / 30 min.(up to 2 units = 1 hour)
Guest particiationAdmission free for TPAM participants(reservation not required)
Capacity 30 people
Services offered
Exclusive use of a meeting room w/ table and chairs)
Meeting theme translation and dissemination
Video system, microphone, English–Japanese consecutive interpretation

Group Meeting Theme (As of Jan. 28)

Feb. 9

10:00-10:30

Theme	Host
[Room] What do Elvis Presley – Columbine – Fossil Fuels – and PTSD have in common……	John Oglevee (Theatre Nohgaku)
[Table] Activities of Nibroll and Mikuni Yanaihara	Mikuni Yanaihara (Dancer, Choreographer, Director)
[Table] Asia Producers’ Platform Camp 2016 in Japan	Tsutomu Saito (ON-PAM)
[Table] performing arts in the era of social media in China	Ran Chan (The Beijing News/Stage No More)
[Table] My works as music composer/mix-media artist and the “HANOI NEW MUSIC FESTIVAL”	Kim Ngoc Tran (DomDom- The Hub for Experimental Music & Art)

10:40-11:10

Theme	Host
[Room] Introducing the New Work by chelfitsch / Toshiki Okada, Time’s Journey Through a Room	Tamiko Ouki, Mai Hyodo (precog)
[Table] NEXT Performing Arts Management School: Courses Available for Touring across Japan	Saiki Kanae (NEXT Performing Arts Management School)
[Table] What is a Play? What is a Drama Award? — The renewal of the AAF Drama Award	Mugiko Yamamoto (Aichi pref. Theater)
[Table] Programing and collaboration with Komunitas Salihara: independent contemporary art space and arts education/a>	Ening Nurjanah (Komunitas Salihara)
[Table] Korea’s organizer, agent and curator	Seunghyo Lee (Festival Bo:m), Slki Kim (Forbyart), Hyunjin Kim (Independent Curator)

11:20-11:50

Theme	Host
[Room] GD+DDT+DG = Danish Dance 2017	3 Danish dance companies (GD+DDT+DG)
[Table] The Match Point — creating futures with Taiwan	Yukio Nitta (Fly Global Project, National Culture and Art Foundation TAIWAN)
[Table] International Touring of a Music Theatre Piece Red Dragon and Soil Traveller	Yasuro Ito (Underground Airport)
[Table] Consultation for the Tie-Up Series of Owlspot	Masashi Kishimoto Ayumi Nakagawa (OWLSPOT Theater)
[Table] The Tendency towards Creation and Co-Production Not Only in Major Cities	Sachiko Miyoshi (quinada.inc)

12:00-12:30

Theme	Host
[Room] Dance program of HAU	Ricardo Carmona (HAU Hebbel am Ufer)
[Table] Application for KYOTO EXPERIMENT 2016 AUTUMN “Open Entry Performance”	Nagara Wada (KYOTO EXPERIMENT)
[Table] An Object Lights an Object; Shedding Light on Frames, Objects, Curation and Creation	Yair Vardi (Tmu-na theater)
[Table] Stimulate the Perception Like Changing Clothes	Shu Matsui (SAMPLE)
[Table] Challenging the potentials? (Contemporary Theatre and Performance in Myanmar/Burma)	Nyan Lin Htet (Theatre of the Disturbed)

12:40-13:10

Theme	Host
[Room]Paula Rosolen presents her works	Paula Rosolen (Choreographer)
[Table] International Cooperation and Cultural Exchange	Ole Khamchanla (FANG MAE KHONG International Dance Festival in Laos)
[Table]
[Table] Possibility of Theatre and Regional Vitalization: Call for Cooperators for a Performance in Nara in 2017 by GEKIDAN NEKKETSUTENSHI	CHIHIRO MITSUHASHI (GEKIDAN NEKKETSUTENSHI)
[Table] Personal Experience Shared through Theatre	Hideto Iwai (hi-bye)

13:20-13:50

Theme	Host
[Room] About Our International Exchange Business Vision	Shigeyuki Matsuura (Mie Prefecture Cultural Centre)
[Table] Can performing arts preserve dying traditions?	Ayumi Hamada (Futarikko Produce)
[Table] Introducing TLAS and Low Fat Art Festival in Bangkok	Wasurat Unaprom (Thong Lor Art Space)
[Table] Possibility of Connecting the Street (Performance) and Theaters	Clown Rio (ASAKUSA Performance place)
[Table] Integrated Dance — Work that Make Use of Diverse Physicality	Yoko Ijichi (Integrated Dance Company 響-Kyo)

14:00-14:30

Theme	Host
[Room] About Our International Exchange Business Vision	Shigeyuki Matsuura (Mie Prefecture Cultural Centre)
[Table] Engaging the Public with Live Art and Performance	River Lin (CO3 – Taiwan Contemporary Performance Connection )
[Table] Support Program for Social Innovation through the Arts and Culture	Shoko Sano (Arts Council Tokyo)
[Table] Yokohama Dance Collection	Katsuhiro Nakatomi (Yokohama Dance Collection / Yokohama Arts Foundation)
[Table] Performing Arts Market in Seoul 2016	Shinah Kim (Korea Arts Management Service)

14:40-15:10

Theme	Host
[Room] Golden Mask Festival.	Alena Yankelevich (Golden Mask Festival. Russian Performing Art Festival and Theatre Award)
[Table] Aging and Theatre — Appreciating “Now and Here” with People with Dementia	Naoki Sugawara (OiBokkeShi)

Feb. 10

10:00-10:30

Pradit Prasartthong（Artistic Director）

Theme	Host
[Room] Introducing Teslan Run by Tomomi Adahi and contact Gonzo, a Co-Production of KYOTO EXPERIMENT 2016 SPRING	Yoko Kawasaki (KYOTO EXPERIMENT)
[Table] MachiNations: Sustenance in a Landscape of Instability	Tess Jamias (KoLab Co. and Ea Torrado (Daloy Dance Company))
[Table] The Activities of Open Network for Performing Arts Management (ON-PAM)	Masanori Okuno (ON-PAM)
[Table] Beyond Archiving: Transmission of Arts and Culture in Cambodia	Kazumi Arai (Bophana Audiovisual Resource Center, Communication and Development Manager)
[Table] Bangkok Theatre Festival: Possibility of an Independence Theatre Event by Artist’s network

10:40-11:10

Theme	Host
[Room]Esplanade – Theatres on the Bay: Presenter, Producer & Collaborator	Rydwan Anwar, Emily Hoe & Faith Tan
[Table] AASAKTA: Experimental Theatre Company from India	Mohit Takalkar (AASAKTA)
[Table] Latest art scene in Brunei	Seruddin Awang Damit (Brunei Arts Enthusiasts Association (PeSTAB))
[Table] “Itsuko Series” Dedicated to High School Students by lolo	Naoyuki Miura (lolo)
[Table]

11:20-11:50

Theme	Host
[Room] KIAC, an Artist-in-Residence for Performing Arts	Yuichiro Yoshida (Kinosaki International Arts Center)
[Table] The Match Point — creating futures with Taiwan	Wen Huang (Fly Global Project, National Culture and Art Foundation TAIWAN)
[Table] Introducing contemporary dance productions- India	Santosh nair (Sadhya-a unit of performing arts)
[Table] Five Years since Waiting for Godot in Fukushima	Yuta Hagiwara (Kamome Machine)
[Table] Collaborating with Cambodia: At the intersection of the traditional and the contemporary	Prim Phloeun (Cambodian Living Arts)

12:00-12:30

Theme	Host
[Room] GD+DDT+DG = Danish Dance 2017	3 Danish dance companies(GD+DDT+DG)
[Table] The Saison Foundation’s residency program, Visiting Fellows	Taro Inamura(The Saison Foundation)
[Table] A Gathering of “Think BIG!” People Who Want to Change the Situation of Performing Arts Managers’ Sweatshop Labor Condition	Yuko Uematsu, Kenta Fujiwara, Kanae Saiki
[Table] The Programs of “Arts Commission Yokohama”	Eisuke Sugizaki, Sawako Nagahama (Yokohama Arts Foundation)
[Table] Introduction of Bangkok Art and Culture Centre	Luckana Kunavichayanont（Bangkok Art and Culture Centre）

12:40-13:10

Theme	Host
[Room]The Japan Foundation Asia Center is now acting – its Missions, Concept and Projects	Kazumi INAMI, Norihiko YOSHIOKA (Japan Foundation Asia Center)
[Table] Introducing “Myosical” by FUKAIPRODUCEHagoromo	Atsuko Sakata (FUKAIPRODUCEHagoromo)
[Table] Korea’s emerging artists	EG, Zeewooman, Kyungsung Lee, Minhee Park (Independent Artists)
[Table] ”BIRD” Theatre Festival TOTTORI and its community-based programme	Kei SAITOKei SAITO (BIRD Theatre Company TOTTORI)
[Table]

13:20-13:50

Theme	Host
[Room] Arts Commons Tokyo : Vision and Future projects (2016-2020)	Chiaki Soma (Arts Commons Tokyo)
[Table] Support Program for Social Innovation through the Arts and Culture	Shoko Sano (Arts Council Tokyo)
[Table] What Can an Art Workshop do for Kids?	Mikako Atsuchi (Nonprofit Organization Acchi Cocchi)
[Table] Documenting Singapore Theatre	Daniel Teo (Centre 42)
[Table] My Struggle – A Possible Path to Isonomia	greenmay and kwong wailap

14:00-14:30

Theme	Host
[Room] Inclusive Dance of Stopgap Dance Company	Sho Shibata (Stopgap Dance Company)
[Table] What is ENGEKI QUEST	Chikara Fujiwara(BricolaQ)
[Table] The works of Kim Itoh’s “GERO	Kim Itoh (Physical Theatre Company GERO)
[Table] Let’s Enjoy Performing Arts Together — Audience Assistance	Asako Hirokawa (NPO Theatre Accessibilty network)
[Table] Performing Arts Market in Seoul 2016	Shinah Kim (Korea Arts Management Service)

14:40-15:10

Theme	Host
[Room] Introducing Festival/Tokyo	Sachio Ichimura (Festival/Tokyo)
[Table]The Concept of The Saison Foundation’s Support for Artists	Junko Okamoto (The Saison Foundation)
[Table] Let’s Enjoy Performing Arts Together — Introducing Audience Assistance Methods and Equipment	Asako Hirokawa (NPO Theatre Accessibilty network)
[Table] The Activities of Open Network for Performing Arts Management (ON-PAM)	Nao Miyauchi (ON-PAM)
[Table] Creative Exchange Lab New residency models: Creative Exchange Lab	Angela Mattox (Artistic Director PICA – Portland Institute for Contemporary Art)

Feb. 9

10:00-10:30

What do Elvis Presley – Columbine – Fossil Fuels – and PTSD have in common……

Room
Language： English with Japanese interpretation
Host：John Oglevee (Theatre Nohgaku Development Director)

We will introduce a brief history and current and future projects for the performance collective Theatre Nohgaku.

Activities of Nibroll and Mikuni Yanaihara

Table
Language: Japanese
Host: Mikuni Yanaihara　(Dancer, Choreographer, Director)

We would like to introduce a new work by the choreographer of Nibroll, Mikuni Yanaihara, which is planned to be premiered on Inujima Island in Setouchi Triennale 2016, the latest work of Nibroll Real Reality that has toured eight cities since January 2015, and Yanaihara’s activities in Asian countries as a 2015 Japan Cultural Envoy of the Agency of Cultural Affairs, the government of Japan.

Asia Producers’ Platform Camp 2016 in Japan

Table
Language: Japanese
Host: Tsutomu Saito (Director,ON-PAM)

Open Network for Performing Arts Managemement (ON-PAM) has been organizing “Asia Producer’s Platform Camp” together with partner organizations in Korea, Taiwan and Australia for Asian producers’ informational and intellectual exchange and to build human network beyond national borders. The Camp, including public programs, is held in Japan in 2016 for about one week. We look forward to meet people who are interested in it.

performing arts in the era of social media in China

Table
Language: English
Host: Ran Chan (Reporter of The Beijing News, Co-founder/Director of Stage No More)

In today’s China, SNS media such as WeChat, the communication APP, changes with each new day. Trends can be seen that through new media performing arts are able to reaching out to a larger audience nowadays. In the era of social media, what changes, chance and challenge are performing arts confront? While introducing the situation in China, I would like to invite you to join the discussion.

My works as music composer/mix-media artist and the “HANOI NEW MUSIC FESTIVAL”

Table
Language: English
Host: Kim Ngoc Tran (Mix-media composer/improviser, artistic director of DomDom- The Hub for Experimental Music & Art)

Starting as a music composer, I put my major effort in discovery and fostering an interdisciplinary language of art. My main interest is exploring the nature of individual state in different society conditions. In this table, I will do a brief presentation about my works. After that I will introduce to you about Hanoi New Music Festival, a biennial festival dedicating to experimental music and mix media arts that I am the founder and artistic director.

10:40-11:10

Introducing the New Work by chelfitsch / Toshiki Okada, Time’s Journey Through a Room

Room
Language: Japanese with English interpretation
Host: Tamiko Ouki, Mai Hyodo (Production,precog)

The theatre company chelfitsch, led by Toshiki Okada, have toured more than 70 cities across the world. We introduce the concept of and new attempts in Time’s Journey Through a Room, which is going to be world premiered at KYOTO EXPERIMENT 2016 SPRING in March, their domestic and international activities, and their plan for 2017, the 20th anniversary of the company.

NEXT Performing Arts Management School: Courses Available for Touring across Japan

Table
Language: Japanese
Host: Saiki Kanae (Staff,NEXT Performing Arts Management School)

NEXT Performing Arts Management School is a personnel training program for performing arts managers. It started in Tokyo in 2012, and celebrates its 5th anniversary in spring 2016. Last year we toured in Osaka for the first time to deliver our “basic course” on fundamental skills such as planning and budget making and original lectures on regional activities. We offer a wide range of plans such as a job training at a theater or an art management course. We welcome people who are interested in the School or are in charge of personnel training.

What is a Play? What is a Drama Award? — The renewal of the AAF Drama Award

Table
Language: Japanese
Host: Yamamoto_Mugiko (producer,Aichi pref. Theater)

The Aichi Arts Foundation (AAF) Drama Award was renewed upon its 15th anniversary, with “What is a Play?” as its theme. The question stimulates such points of view as what direction is, what a performance is and what theatre is. We would like to introduce this year’s activity of the Award and to discuss the past and future of it.

Programing and collaboration with Komunitas Salihara: independent contemporary art space and arts education

Table
Language: English
Host: Ening Nurjanah (Program Manager, Komunitas Salihara)

Komunitas Salihara, an arts and cultural centre and arts education that is particularly interested in innovative, cutting-edge ideas and works. Holding the regular program that include performances, exhibitions, literary readings, lectures and discussions as well as annual performing arts festival (Salihara International Performing Arts Festival- SIPFEST) and Literary Biennale. Komunitas Salihara is also interested in collaborative programs that transcend the boundaries of art and expand networks between artists, art institutions, and the public, both local and international.

Korea’s organizer, agent and curator

Table
Language: Japanese,English
Host: Seunghyo Lee (Artistic Director, Festival Bo:m), Slki Kim (Creative Director, Forbyart), Hyunjin Kim (Independent Curator)

In South Korea, Dawon Art – originally an institutional term for mixed genres – is increasingly recognised as the Korean contemporary art of today. It has always crossed boundaries between fine art and performing art into a “grey” area, and has consistently provoked debate. But how do we comfortably define it? Please come and meet organizers from Korea.

11:20-11:50

GD+DDT+DG = Danish Dance 2017

Room
Language: English with Japanese interpretation
Host: 3 Danish dance companies (Managers,GD+DDT+DG)

With the support of the Danish Arts Foundation, 3 outstanding dance companies join efforts to present Danish Dance in Japan. Granhøj Dans, Danish Dance Theatre and DonGnu Physical Theatre are 3 of the internationally best-known Danish Dance Companies, each having their own particular approach to the art of Dance – quite different the one from the others, thus representing together a wide spectrum of the dance that is currently created in Denmark. The companies will be available for touring in Japan through 2017, both independently and together, featuring a small festival on it’s own.

The Match Point — creating futures with Taiwan

Table
Language: Japanese,English
Host: Yukio Nitta (Project Associate, Fly Global Project, National Culture and Art Foundation TAIWAN)

Performing arts with digital and interdisciplinary dynamics are booming in Taiwan. Along with numerous festivals, existing and upcoming performing art centres, Taiwan is waving hands up for international partnerships and collaborations. National Culture and Arts Foundation of Taiwan has initiated platforms, including Fly Global, as kick-starters for ideas and networkers for possibilities. We will connect you with the latest view on Taiwan’s performing arts landscape, bringing you emerging and exciting artists/groups with diverse creativity. And we’d love to have you sharing experiences and art perspectives with us. Join us for arts match points and to have a win-win future together!

International Touring of a Music Theatre Piece Red Dragon and Soil Traveller

Table
Language: Japanese, English
Host: Yasuro Ito (Director, Underground Airport)

In 2014, Underground Airport was invited by the National Theatre Wales and researched on the Welsh myths and the situation of nuclear power plants there in comparison to that of Japan to create a new music thatre Red Dragon and Soil Traveller. We plan to premiere it on March 3 and show it until March 13 at Theater-Sou in Tokyo, and aim to internationally tour with the piece. We would like to explain about the project in exploration of international networking, collaboration and co-production.

Consultation for the Tie-Up Series of Owlspot

Table
Language: Japanese
Host: Masashi Kishimoto,Ayumi Nakagawa (Producer, OWLSPOT Theater)

Owlspot, as a “Tie-Up” organization that offers a 25% discount of the venue rental fee and promotional cooperation, looks for works that involve 1) young companies’ attempts to bring their expression onto a middle-scale stage and 2) experimentations by experienced companies. We look forward to receive proposals and questions about the theater.

The Tendency towards Creation and Co-Production Not Only in Major Cities

Table
Language: Japanese
Host: Sachiko Miyoshi (president,quinada.inc)

More and more artists have been working in other parts of Japan than the major cities; some rehearse in a region for a performance in a major city and others create in cooperation with a regional theater. Backed up by the government’s “Regional Innovation” policy, artist-in-residence facilities are also drawing attention. We discuss the coexistence of artists who broaden their field of activity across Japan and internationally to look for new audience and partners and regional theaters and foundations, based on out research.

12:00-12:30

Dance program of HAU

Room
Language: English with Japanese interpretation
Host: Ricardo Carmona (Dance Curator, HAU Hebbel am Ufer)

Goethe-Institut Tokyo invites this year Ricardo Carmona, dance curator from “HAU Hebbel am Ufer“ in Berlin to TPAM. The Portuguese curator has already been part of dance and performance programs in Portugal and brought a dance and theatre platform to life, before moving to Berlin. At TPAM he will present the work of HAU, talking about the content and background of the theatre´s program focusing on the Dance program.

Application for KYOTO EXPERIMENT 2016 AUTUMN “Open Entry Performance”

Table
Language: Japanese
Host: Nagara Wada (Office Staff, KYOTO EXPERIMENT)

A fringe program of KYOTO EXPERIMENT, “Open Entry Performance,” invites art events that are held in Kyoto during the period of the festival. There is no requirement about artists’ geographical base and genres. 20 in 2013, 25 in 2014, and 45 projects in the 2016 SPRING registered for the program. We would like to introduce the application procedure, venue assistance and promotional cooperation for KYOTO EXPERIMENT 2016 AUTUMN (October–November, 2016).

An Object Lights an Object; Shedding Light on Frames, Objects, Curation and Creation

Table
Language: English
Host: Yair Vardi (Curator, Tmu-na theater)

How does the perception of light and lighting effect curatorial and artistic authorship? In this meeting I would like to talk about my curatorial agenda in the Tmu-na theater in TLV Israel and the ways it is intertwined and shaped by my practice as a designer and performance artist. My main argument is that curating as a means to generate discourse is an artistic tool for both directing festivals and for art-making. Furthermore, I will be reflecting on the political situation in Israel and on the reality of life and performance in a perpetual conflict zone.

Stimulate the Perception Like Changing Clothes

Table
Language: Japanese
Host: Shu Matsui (Directer,SAMPLE)

An introduction to our workshop. We have developed every element of theatre (lighting, sound, stage setting, costumes, publicity design, acting, direction, dramaturging, play and management) in the form of workshop, with a motto “‘Theatre’ can be a tool for changing the way one sees the ‘reality’.” We nurtur the perceptions through theatre.

Challenging the potentials? (Contemporary Theatre and Performance in Myanmar/Burma)

Table
Language: English
Host: Nyan Lin Htet (Theatre Artist, Artistic Director, Theatre of the Disturbed)

Myanmar/Burma has a still-active traditional theatre scene although the contemporary practices in theatre and performance are still at its infancy. I set up an experimental theatre ensemble “Theatre of the Disturbed” with my wife and other fellow artists in 2005. I am also an active cultural worker and I started inviting practicing artists and scholars from Southeast Asia since 2005 to Burma/Myanmar to give workshops and seminars on performing arts and visual arts. Later in 2008, these activities had grown into a festival of contemporary theatre and performance. The festival has been held biennially since then; and it covers a wide range of activities including theatre, performance, seminar, lecture, workshop, exhibitions, and artist’s talk. Always pushing the boundaries, the festival is the first and foremost international cultural event focusing on contemporary creative expressions and intellectual dialogues in Burma/Myanmar.

12:40-13:10

Paula Rosolen presents her works

Room
Language: English with Japanese interpretation
Host: Paula Rosolen (Choreographer)

The young dancer and choreographer Paula Rosolen from Frankfurt, Germany is going to talk about her artistic work in which she examines the relationship between documentary theatre, oral history and dance. She holds a MA in Choreography and Performance and participated in artist in residence programs in Germany, Belgium and currently in Kyoto. Rosolen`s works have been shown at international theatres and festivals and in 2014 received the 1st price at the 3rd edition of the competition “Dance Élargie” of the Theatre de la Ville, Paris and Musee de la Dance in Rennes, France.

International Cooperation and Cultural Exchange

Table
Language: English
Host: Ole Khamchanla (KHAM dance company – FRANCE Artistic director of FANG MAE KHONG International Dance Festival in Laos)

Exchanging experiences in the field of the cultural event organization (Festival).

Possibility of Theatre and Regional Vitalization: Call for Cooperators for a Performance in Nara in 2017 by GEKIDAN NEKKETSUTENSHI

Table
Language: Japanese
Host: CHIHIRO MITSUHASHI (MANAGER,GEKIDAN NEKKETSUTENSHI)

GEKIDAN NEKKETSUTENSHI, with a motto “let everyone have an ambition,” have been working to make Japan lively through performing arts. We make a play about a historical figure of a region and present the play there to let audience be more profoundly proud of their place. This year, we performed in Odawara, Kanagawa Prefecture, in January. By tying up with a local administration, tourist office or private organization such as a cooperation association, we think, it is possible to promote theatre as a genre. We would like to discuss our plan to perform in Nara in 2017 as an example and the possibility of theatre in the future.

Personal Experience Shared through Theatre

Table
Language: Japanese
Host: Hideto Iwai(director,hi-bye)

Iwai has been writing and directing plays based on what occurred in his own life and having participants of his workshop across Japan try to make their personal experiences into theatre. An introduction to such activities of him and discussion on where that can lead to.

13:20-13:50

About Our International Exchange Business Vision

Room
Language: Japanese with English interpretation
Host: Shigeyuki Matsuura (section manager,Mie Prefecture Cultural Centre)

Mie Prefecture Cultural Centre is one of the very few public venues in Japan which operate 24 hours and let artists create in residence. It has also been working on “M-PAD,” a collaboration between local restaurants and theatre, for five years and planning to establish a theatre festival that features this event and shows at the theater. We would like to introduce our vision for international exchange projects in the future.

Can Performing Arts Save Dying Traditions?

Table
Language: Japanese, English
Host: Ayumi Hamada (Producer, Futarikko Produce)

Do you know the meaning of “Washi (traditional Japanese) paper? The tradition of making Washi paper and its raw materials has been declining due to an aging farming population and a lack of successors. Last year in Ino town in Kochi prefecture, Futarikko Produce conducted “Washi＋Performing Arts? Project” with 6 artists from Seoul, Tokyo and Shikoku. We will introduce the artists’ learning process and their feelings toward Washi during the project’s two week duration.

Introducing TLAS and Low Fat Art Festival in Bangkok

Table
Language: Japanese, English, Thai
Host: Wasurat Unaprom (Artistic Director of Thong Lor Art Space)

Getting to know Thong Lor Art Space, facilities, projects and also Artist-in-residence program included the international art festival, Low Fat Art Fest, which focusing on theatre, performing art, visual art and film based on collaboration between international and Thai artists.

Possibility of Connecting the Street (Performance) and Theaters

Table
Language: Japanese
Host: Clown Rio（Publicity, ASAKUSA Performance place）

We have been exploring the possibility of the city, theaters and street performance since 2010. To revive the sixth district of Asakusa, which used to be the biggest performing arts district in Japan, we have been looking for strategies for reactivating the town in cooperation with shopping malls, venues around them as well as streets and street performance that connect them. We would like to discuss merits and demerits for companies to go out to the street and how to make theaters local cultural platforms, and propose new methodologies and culture that make use of the street to the city, venues and companies.

Integrated Dance — Work that Make Use of Diverse Physicality

Table
Language: Japanese, English
Host: Yoko Ijichi (Producer,Integrated Dance Company 響-Kyo)

Creative Art Executive Committee has explored new possibilities of the arts through dance by people with various types of disability or without disability and also in other fields such as music and fine art, promoting their different creativities, since 1990. The activities and experiences were put together into Integrated Dance Company 響-Kyo in 2014. We would like to discuss what kind of possibility is in dancing with disabled people.

14:00-14:30

About Our International Exchange Business Vision

Room
Language: Japanese with English interpretation
Host: Shigeyuki Matsuura (section manager,Mie Prefecture Cultural Centre)

Engaging the Public with Live Art and Performance

Table
Language: English
Host: River Lin (curator)

Who is performing contemporary art and how? The scene of live art, performance and experimental theatre in Taiwan is writing new languages in terms of collaboration and audience participation. Outside of dedicated theatre, the CLOSE TO YOU- International Puppet Performance Festival is exploring the object theatre form related to the Taipei city culture, the NIGHT MARKET THEATRE is a booth as art intervention in a real night market performing and selling bite-sized performances, and JUST FOR YOU Festival invites the audience to have an one-on-one and intimate experience in a hotel room. Come along and meet the innovative practices in Taiwan. We might pick you up to a hotel afterwards, in the name of performance.

Support Program for Social Innovation through the Arts and Culture

Table
Language: Japanese
Host: Shoko Sano (Senior Program Officer, Arts Council Tokyo)

This year Arts Council Tokyo started to support artistic activities that cooperate with sectors engaging in welfare for the disabled and old, education of children and youth, community building and understanding of other cultures. Mainly supporting arts organizations based in Tokyo, we also consider joing projects with non-profits that work on social issues. Expecting that creative activities that involve commitment to society will develop into new artiststic expression and strength, we would like to introduce the program and consult on your application.

Yokohama Dance Collection

Table
Language: Japanese
Host: Katsuhiro Nakatomi (Producer, Yokohama Dance Collection / Yokohama Arts Foundation)

Yokohama Dance Collection started in 1996 aiming to “discover and train young choreographers” and “disseminate contemporary dance.” The competitions, which are the basis of the festival, put importance on the originality of “choreography” by artists who share the values of our times and cast new gazes on the body and expression. In 2016, the 21st year of the event, we added joint programs with Asian dance festivals and performances by internationally renowned artists as new bases of the festival. As an ever-developing Asian dance platform, it offers a wide range or programs. We would like to talk at this table about the outline of the festival and its history.

Performing Arts Market in Seoul 2016

Table
Language: English
Host: Shinah Kim (Director of International Business Development office,Korea Arts Management Service)

Under the auspices of the Ministry of Culture, Sports and Tourism, Korea Arts Management Service has been hosting PAMS(Performing Arts Market in Seoul) every October. The primary objects of PAMS are the revitalization of rational distribution and exportation to overseas markets for Korean performing arts. The diverse programs of PAMS as showcases of selected performing arts, booth exhibitions for the promotion of art works and artistic groups, varied conference and networking programs, all the performing arts experts are able to share the information of the field and global trends for encouragement of creation and provision of performing arts.

14:40-15:10

Golden Mask Festival

Room
Language: English
Host: Alena Yankelevich (International Project Manager, Golden Mask Festival. Russian Performing Art Festival and Theatre Award)

Lecture and presentation of a largest national festival in Russia. Organization, Managment, Projects.

Aging and Theatre — Appreciating “Now and Here” with People with Dementia

Table
Language: Japanese
Host: Naoki Sugawara (Actor / Care Worker, OiBokkeShi)

Instead of “correcting inappropriate utterances and behaviors” of people with dementia, we naturally accept them through “acting.” By using the artistry of theatre, we appreciate “now and here” together with people with dementia. OiBokkeShi based in Wake-cho, Okayama Prefecture, introduces its practice of new nursing and theatre.

Feb. 10

10:00-10:30

Introducing Teslan Run by Tomomi Adachi and contact Gonzo, a Co-Production of KYOTO EXPERIMENT 2016 SPRING

Room
Language: Japanese,English
Host: Yoko Kawasaki (Production Coordinators, KYOTO EXPERIMENT)

KYOTO EXPERIMENT has continuously been organizing projects for kids, and the music for the new work Teslan Run, which is premiered in March in the festival, is created together with children. In December 2015, Tomomi Adachi, a musician based in Berlin, had workshop of graphic notation for elementary school children. Adachi created tracks out of the sounds drawn through the workshop, and contact Gonzo perform together with the children and the music. We introduce the process of this creation as a new attempt for working together with kids.

MachiNations: Sustenance in a Landscape of Instability

Table
Language: English
Host: Tess Jamais (KOLAB Co. Artistic Director,KoLab Co. and Ea Torrado (Daloy Dance Company))

The KoLab Co. and Daloy Dance, two burgeoning contemporary performance companies based in the Philippines, introduce and discuss their practices, (re)investigations and works. We also delve into the resilience and innovations that are needed to thrive in an extra¬challenging city like Manila where contemporary performance¬making is undervalued. KoLab Co. is an ensemble of cross-discipline artists committed to machinating pieces whose content and form propose and stimulate discourse. Daloy Dance Company produces works that constantly snip away at the strands that define dance, theater, improvisation and performance. In this meeting, we hope to foster new exchanges ¬trade ideas and experiences.

The Activities of Open Network for Performing Arts Management (ON-PAM)

Table
Language: Japanese
Host: Masanori Okuno (Director,ON-PAM)

Open Network for Performing Arts Management (ON-PAM) is an international network where performing arts managers spontaneously participate as individuals. Currently we have 150 Japanese members, hold committee meetings and symposia across Japan, and organize international conferences and the APP Camp in other Asian countries. We would like to introduce these activities and discuss the significance of network together with the participants.

Beyond Archiving: Transmission of Arts and Culture in Cambodia

Table
Language: Japanese, English
Host: Kazumi Arai (Bophana Audiovisual Resource Center, Communication and Development Manager)

The Bophana Center collects and gives the public free access to audiovisual materials related to Cambodia which have survived the Khmer Rouge regime. The Center also trains people in audiovisual creation and organizes artistic events. We would like to present our past and upcoming projects on archiving rare music, dance and traditional ceremonial performances.

Bangkok Theatre Festival: Possibility of an Independence Theatre Event by Artist’s network

Table
Language: English
Host: Pradit Prasartthong（Artistic Director）

Content of the meeting will be short introduction of Bangkok Theatre Festival (BTF), program’s structure of BTF, how to join BTF and Question & Answers. Bangkok Theatre Festival (BTF) is a yearly independence theatre event started from 2002, organized by local theatre artists called Bangkok Theatre Network (BTN) and other partners, at present supported by Bangkok Arts and Cultures Centre (BACC) and partly supported by The Office of Contemporary Arts and some other organizations but mainly contributed by all artists who pay Membership fee and Application fee to keep this festival continue up to now a day. BTF is open for all friends who love theatre including professional theatre companies, established artists, young director and amateur theatre groups. International theatre practitioners are also welcome.

10:40-11:10

Esplanade – Theatres on the Bay: Presenter, Producer & Collaborator

Room
Language: English with Japanese interpretation
Host: Rydwan Anwar, Emily Hoe & Faith Tan

Esplanade – Theatres on the Bay is Singapore’s national performing arts centre. We programme diverse art forms throughout the year for diverse audience segments and communities. At this session, we’ll be giving a brief introduction on the Programming of the Esplanade with a focus on our collaborative productions and commissions. Our regular collaborators will also be with us. Cake Theatrical Productions, Nine Years Theatre and T.H.E Dance Company are companies that have been creating great work in Singapore. We will also be presenting a new commission for our dance festival – Brodal Serei by Amrita Performing Arts from Cambodia.

AASAKTA: Experimental Theatre Company from India

Table
Language: English
Host: Mohit Takalkar (Artistic Director, Aasakta Kalamanch,AASAKTA)

AASAKTA is one of the leading contemporary theatre organisations in IndianTheatre. The most defining characteristic of the group has to be their fearlessness to experiment – be it in form and content which imparts the courage to break away from traditional moulds and create fresh idioms in theatre. Aasakta’s absolute insistence on innovative and exclusive production value and precision in technique make their productions visually appealing. With each new play Aasakta attempts to venture into previously unexplored territory. Mohit Takalkar, the artistic director of AASAKTA introduces its activities by video and photographs.

Latest art scene in Brunei

Table
Language: English
Host: Seruddin Awang Damit (Director of Brunei Arts Enthusiasts Association (PeSTAB))

Film industry in Brunei which provoked creation of local film industry and led the International Film Festivals will be introduced. I will also discuss Asik which is an art puppetry popularized by the kampong Ayer (water village) residents at Sungai Brunei (Brunei river). PeSTAB regularly invites performances abroad such as Malaysia, Indonesia and China, and opportunities will be in discourse.

“Itsuko Series” Dedicated to High School Students by lolo

Table
Language: Japanese
Host: Naoyuki Miura (Director / Playwright, lolo)

We have been working on “Itsuko Series,” where we perform 60-minute serial plays about lives of groups of young people, following the rules and forms of Japanese high school theatre, aiming to revitalize high school theatre. We would like to talk about the concept of the project involving free admission for people younger than high-school ages and publication of the plays for free use for secondary creations based on them, our workshop strategy for high school students, and out ambition for tours across Japan.

11:20-11:50

KIAC, an Artist-in-Residence for Performing Arts

Room
Language: Japanese with English interpretation
Host: Yuichiro Yoshida (Program Director, Kinosaki International Arts Center)

Kinosaki International Arts Center (KIAC) is a base for artist-in-residence specifically for performing arts, located in a onsen town in Toyooka, Hyogo Prefecture. It consists of one hall, six studios and a residence facility that can host 22 people: a facility where artists can reside for a long period as if actually living in a town. We plan to report on our activities since its establishment in 2014 and explain about the 2016 program and 2017 application.

The Match Point — creating futures with Taiwan

Table
Language: Japanese,English
Host: Wen Huang (Project Manager, Fly Global Project, National Culture and Art Foundation TAIWAN)

Introducing contemporary dance productions- India

Table
Language: English
Host: Santosh nair (Artistic Director,Sadhya-a unit of performing arts)

Introduction to Sadhya-a contemporary dance company from India and two of its productions. One-The Game of Dice-based on the greatest of all epics Mahabharata’s episode. The other, “The Mystical Forest” based on the life of the inhabitants of a forest. The Game of Dice draws from the traditional dance forms of India namely Kathakali & Mayurbhanj Chhau bringing forth a contemporary interpretation. “The Mystical Forest” too is inspired by the elements & nuances of the Martial art form of Orissa, Mayurbhanj Chhau drawing from its versatility. Both the productions have been performed both in India & abroad and have received a fantastic response.

Five Years since Waiting for Godot in Fukushima

Table
Language: Japanese,English
Host: Yuta Hagiwara (director,Kamome Machine)

Kamome Machine performed Waiting for Godot on a street in Hirono-machi, Futaba-gun, Fukushima Prefecture in August 2011. There was one audience, and the three performers stood still on a national road that was 20 kilometers from the Fukushima Daiichi Nuclear Power Plant. Why did we have to perform this piece there? What did we think of through the performance? And what kind of works have we created since then? We look forward to participation of people who are interested in the relationship between the Great East Japan Earthquake and theatre.

Collaborating with Cambodia: At the intersection of the traditional and the contemporary

Table
Language: English
Host: Prim Phloeun (Executive Director, Cambodian Living Arts)

Cambodian Living Arts has over 15 years’ experience of working in the Cambodian performing arts sector, and maintains strong relationships with cultural organisations from across the country. Cambodia’s performing arts are now at a pivotal point of mediating between traditional and contemporary forms. For many, the focus is on developing new audiences, fostering creativity and looking into regional cooperation. This session will give an introduction to the Cambodian performing arts scene and illustrate the rich opportunities to collaborate with artists and arts organisations in Cambodia.

12:00-12:30

GD+DDT+DG = Danish Dance 2017

Room
Language: English with Japanese interpretation
Host: 3 Danish dance companies (Managers,3 Danish dance companies)

With the support of the Danish Arts Foundation, 3 outstanding dance companies join efforts to present Danish Dance in Japan, Granhøj Dans, Danish Dance Theatre and DonGnu Physical Theatre are 3 of the internationally best-known Danish Dance Companies, each having their own particular approach to the art of Dance – quite different the one from the others, thus representing together a wide spectrum of the dance that is currently created in Denmark.The companies will be available for touring in Japan through 2017, both independently and together, featuring a small festival on it’s own.

The Saison Foundation’s residency program: Visiting Fellow

Table
Language: English
Host: Taro Inamura (Program Coordinator, The Saison Foundation)

Visiting Fellows gives opportunities for artists and arts managers to research the contemporary performing arts scene in Japan. At the table, we will explain the detail of the program. Not to be missed for those having interests in artist-in-residence programs, as well as international programs.

A Gathering of “Think BIG!” People Who Want to Change the Situation of Performing Arts Managers’ Sweatshop Labor Condition

Table
Language: Japanese
Host: Yuko Uematsu, Kenta Fujiwara, Kanae Saiki (Explat)

The current labor condition of performing arts managers in Japan, with low wages, long hours of work, temporary assignment and unclear future, cannot be said to be very good. We think that only each worker who works there can change the situation. This meeting is for people who think big to involve themselves in the effort for changing the situation.

The Programs of “Arts Commission Yokohama”

Table
Language: Japanese
Host: Eisuke Sugizaki, Sawako Nagahama (Yokohama Arts Foundation)

Yokohama Arts Foundation’s “Arts Commission Yokohama” offers consultation and support for artists. We have given more than 1,000 consultations to help those who work and create in Yokohama. A wide range of consultations are avialable: venues for performance and rehearsal, publicity and promotion, and how to make a budget. We would like to introduce the results in the past and explain the service in detail, and have a hearing individually. We look forward to participation of people who consider activities in Yokohama.

Introduction of Bangkok Art and Culture Centre

Table
Language: English
Host: Luckana Kunavichayanont（Director of Bangkok Art and Culture Centre）

Bangkok Art and Culture Centre (BACC) has been holding Performative Art Festival (PAF) since 2012. Last year the Festival took place from July to December 2015 and marked the fourth consecutive year that BACC had joined forces with various performing arts groups to present this Festival. Such collaborative efforts stem from the fact that Thailand is still in short of space and platforms where performing artists can present their works and have dialogues with general audience. Since 2012, PAF has continued to seek the opportunity to display a broad selection of performances, ranging from contemporary dance, theatrical stage, performing art, physical dance, mime and many more by both local and international artists. In addition to performances, audiences are welcome to expend their experience by participating in workshops and other activities where they get a chance to share and exchange their ideas with the artists.

12:40-13:10

The Japan Foundation Asia Center is now acting – its Missions, Concept and Projects

Room
Language: English
Host:Kazumi Inami (Director, Arts, Culture and Exchange Section I), Norihiko Yoshioka (Deputy Director, Arts, Culture and Exchange Section I & II)

We present the missions, concept and activities of The Japan Foundation Asia Center. Asia Center, established within the Japan Foundation in April 2014 , is aspecialized unit with the goal to connect people, expand networks, and develop cultural programs across Asia. Diverse projects and activities will be presented as well as the scheme of its grant program.

Introducing “Myosical” by FUKAIPRODUCEHagoromo

Table
Language: Japanese
Host: Atsuko Sakata (Production,FUKAIPRODUCEHagoromo)

FUKAIPRODUCEHagoromo put a play with songs and dances. We call it “Myosical” unique musical.Yes,we are singing and dancing unit! More than 10 players vigorously,energetically perform on the stage. We also engage workshop and live-shows and perform 15-20minutes short plays which feature our artistic uniqueness well. Our activities extend in many fields.We want to show a fraction of our performance.We hope you will enjoy it and have interest in our company and that will us to establish new relationships.

Korea’s emerging artists

Table
Language: Japanese,English
Host: EG, Zeewooman, Kyungsung Lee, Minhee Park (Independent Artists)

In South Korea, young contemporary artists increasingly has been crossing boundaries between art forms like theater, dance, music, visual art and even magic. Please come and meet emerging and remarkable artists from Korea.

”BIRD” Theatre Festival TOTTORI and its community-based programme

Table
Language: Japanese
Host: Kei SAITO(Administration,BIRD Theatre Company TOTTORI)

”BIRD” Theatre Festival is held around BIRD Theatre in Shikano, Tottori. As well as invited productions from both in and outside Japan, the festival presents many community-based performances. This table focuses on the festival’s community-based programme, which are closely linked with the activities of BIRD Theatre and BIRD Theatre Company.

13:20-13:50

Arts Commons Tokyo : Vision and Future projects (2016-2020)

Room
Language: Japanese with English interpretation
Host: Chiaki Soma (Representative Director ,Arts Commons Tokyo)

Arts Commons is an NPO corporation founded by a group of twelve experts including Chiaki Soma, the first director of Festival/Tokyo from 2009 to 2013. Under the shared aim, ‘to reinstall connections between the society and art’, these twelve members with different specialties have been planning and practicing various projects in production, media, and think tank. These projects have their places not only in Japan but also in multiple places in Asia. Moreover, another Arts Commons is established in Tainan in 2015, which broadens our network over the area. This presentation will introduce our projects in Japan, Asia and Europe over 2016-2017 and also our vision for the coming years. Together with the presentation, we will have a discussion on how we can construct partnerships among multiple cultural projects being planned toward 2020 Tokyo Olympics.

Support Program for Social Innovation through the Arts and Culture

Table
Language: Japanese
Host: Shoko Sano (Senior Program Officer, Arts Council Tokyo)

This year Arts Council Tokyo started to support artistic activities that cooperate with sectors engaging in welfare for the disabled and old, education of children and youth, community building and understanding of other cultures. Mainly supporting arts organizations based in Tokyo, we also consider joining projects with non-profits that work on social issues. Expecting that creative activities that involve commitment to society will develop into new artistic expression and strength, we would like to introduce the program and consult on your application.

What Can an Art Workshop do for Kids?

Table
Language: Japanese, English
Host: Mikako Atsuchi（President /Producer, Nonprofit Organization Acchi Cocchi）

Nonprofit Organization Acchi Cocchi has been organizing workshops, concerts and events focusing on exchange through the arts. Especially our project with the Australian theatre for young people, Polyglot Theatre, started from TPAM Exchange 2014. We have also been employing various ideas such as involvement of nursery school students in management. We would like to introduce these examples and discuss how artists, producers, promoters and volunteers can engage in projects for kids with international participants.

Documenting Singapore Theatre

Table
Language: English
Host: Daniel Teo (Research and Documentation Executive,Centre 42)

Documentation is not always a priority in Singapore theatre since efforts tend to be concentrated on the stage. Yet, the importance of documentation lies beyond recording events for posterity – it can also help create new work. At Centre 42, a young arts organisation started in 2014, documentation is one of our key focuses for developing Singaporean plays and play-writing. I share my views on documentation in Singapore theatre, my experiences with developing our digital archive for theatre, and the various documentation methodologies we employ in our various programs.

My Struggle – A Possible Path to Isonomia

Table
Language: English
Host: greenmay and kwong wailap

Born in 1989, self-made artist greenmay grew up at a time when Hong Kong was (and probably still is) culturally overwhelmed by the handover to the experiment of One Country Two Systems, and the growing globalization/consumerism in the arts. greenmay is very aware of the ideological manipulations imposed by the establishment. He has been struggling in HK to create a space for his body to find an uninhibited embodiment of historical consciousness. This meeting aims to start the dialogue among counterparts elsewhere in the world about our common aspiration for self-embodiment in a Brave New World ~ Isonomia.

14:00-14:30

Inclusive Dance of Stopgap Dance Company

Room
Language: Japanese with English interpretation
Host: Sho Shibata（Producer, Stopgap Dance Company）

Stopgap Dance Company creates and produces a lot of world-level works with disabled and non-disabled professional artists touring both domestically and internationally, as well as has gained a high reputation in the inclusive dancer training program. The UK-based Japanese producer, Shibata Shohei, presents the organization and principles of their activities built over the past 20 years of work.

What is ENGEKI QUEST?

Table
Language: Japanese, English
Host: Chikara Fujiwara (maker of ENGEKI QUEST)

『“ENGEKI QUEST” is the flaneur style tour-project. The participants walk around a city freely as a stranger guided by the “Adventure Book” with some instructions. This project is running in Yokohama, Kinosaki-Onsen, Manila, and Düsseldorf, along the ethos and problems of these cities. On this meeting, we will talk about the potential and vision of this project. I hope to meet wonderful cooperators for our future! [the detail of “ENGEKI QUEST”]→http://bricolaq.com/?page_id=33

The Works of Kim Ito, GERO and Oyaji Café

Table
Language: Japanese
Host: Kim Itoh（President, Physical Theatre Company GERO）

After 10 years of of working in diverse fields such as education and community , Kim Itoh recently re-started creating his own original work with a physical theatre company GERO. Showing the video recording of the first performance of the company at KAAT in January 2016, he talks about the themes of the company, “the raw body, communication, and documentary.” He also introduces “Oyaji Café,” an event that has been developing across Japan, where lively middle-aged and old men stimulate the local community.

2015 Chiryu Oyaji Cafe

Let’s Enjoy Performing Arts Together — Audience Assistance

Table
Language: Japanese, Japanese Sign Language
Host: Asako Hirokawa (President, NPO Theatre Accessibility network)

Introducing the activities of The NPO Theatre Accessibility network (TA-net), which was established by members who are involved in the sector aiming to assist disabled people who want to go to the theater and enjoy performing arts, we would like to discuss what it is to “enjoy performing arts together.” In this session, we explain about our “Accessible Performance Information Website” that opened in July 2014 and audience assistance schemes.

Performing Arts Market in Seoul 2016

Table
Language: English
Host: Shinah Kim (Director of International Business Development office,Korea Arts Management Service)

14:40-15:10

Introducing Festival/Tokyo

Room
Language: Japanese with English interpretation
Host: Sachio Ichimura（Director, Festival/Tokyo）

Festival/Tokyo, which started in 2009, is an annual international performing arts festival held mainly in Ikebukuro area in Tokyo. As a festival of contemporary theatre and dance that represents Tokyo and Japan, it invites excellent foreign performing arts works and produces international co-productions and new works by diverse Japanese artists. At this room, we would like to talk about the outline of the festival, its history and past programs.

The Concept of The Saison Foundation’s Support for Artists

Table
Language: Japanese
Host: Junko Okamoto (Program Officer,The Saison Foundation)

We introduce the concept and contents of Saison Fellows, The Saison Foundation’s program for supporting artists, as well as various career buildings of the recipients in the past and how they used the grant, which involves no restriction about for what it is used. We would also like to hear what kind of support the participants are in need of to discuss what is necessary to help artists sustainably continue and develop their activities.

Let’s Enjoy Performing Arts Together — Introducing Audience Assistance Methods and Equipment

Table
Language: Japanese, Japanese Sign Language
Host: Asako Hirokawa (President, NPO Theatre Accessibility network)

The NPO Theatre Accessibilty network (TA-net), which was established by members who are involved in the sector aiming to assist disabled people who want to go to the theater and enjoy performing arts, has studied and practiced various schemes to help disabled people enjoy performing arts in the three years since its establishment. In this session, we would like to introduce the schemes and equipment using videos and images and demonstrating subtitle distribution to smartphones. Employ audience assistance using our project that is supported by Arts Council Tokyo!

The Activities of Open Network for Performing Arts Management (ON-PAM)

Table
Language: English
Host: Nao Miyauchi (member,ON-PAM)

Creative Exchange Lab New residency models: Creative Exchange Lab

Table
Language: English
Host: Angela Mattox (Artistic Director PICA – Portland Institute for Contemporary Art)

Angela Mattox will discuss PICA’s Creative Exchange Lab which has been designed to promote artistic exchange, instigate peer to peer dialogue, and foster the development of new works with a focus on serving artists working at the intersection of different forms. Reflecting a field wide need for in-depth cross-disciplinary research opportunities for artists, the labs offer essential generative time for research and experimentation, cross-disciplinary collaboration, and self-directed interaction between the participating local, national, and international artists.

Group Meeting

1st deadline: 1.15 Fri

Final deadline: 1.25 Mon

Table

Room

Group Meeting Theme (As of Jan. 28)

Feb. 9

10:00-10:30

What do Elvis Presley – Columbine – Fossil Fuels – and PTSD have in common……

Activities of Nibroll and Mikuni Yanaihara

Asia Producers’ Platform Camp 2016 in Japan

performing arts in the era of social media in China

My works as music composer/mix-media artist and the “HANOI NEW MUSIC FESTIVAL”

10:40-11:10

Introducing the New Work by chelfitsch / Toshiki Okada, Time’s Journey Through a Room

NEXT Performing Arts Management School: Courses Available for Touring across Japan

What is a Play? What is a Drama Award? — The renewal of the AAF Drama Award

Programing and collaboration with Komunitas Salihara: independent contemporary art space and arts education

Korea’s organizer, agent and curator

11:20-11:50

GD+DDT+DG = Danish Dance 2017

The Match Point — creating futures with Taiwan

International Touring of a Music Theatre Piece Red Dragon and Soil Traveller

Consultation for the Tie-Up Series of Owlspot

The Tendency towards Creation and Co-Production Not Only in Major Cities

12:00-12:30

Dance program of HAU

Application for KYOTO EXPERIMENT 2016 AUTUMN “Open Entry Performance”

An Object Lights an Object; Shedding Light on Frames, Objects, Curation and Creation

Stimulate the Perception Like Changing Clothes

Challenging the potentials? (Contemporary Theatre and Performance in Myanmar/Burma)

12:40-13:10

Paula Rosolen presents her works

International Cooperation and Cultural Exchange

Possibility of Theatre and Regional Vitalization: Call for Cooperators for a Performance in Nara in 2017 by GEKIDAN NEKKETSUTENSHI

Personal Experience Shared through Theatre

13:20-13:50

About Our International Exchange Business Vision

Can Performing Arts Save Dying Traditions?

Introducing TLAS and Low Fat Art Festival in Bangkok

Possibility of Connecting the Street (Performance) and Theaters

Integrated Dance — Work that Make Use of Diverse Physicality

14:00-14:30

About Our International Exchange Business Vision

Engaging the Public with Live Art and Performance

Support Program for Social Innovation through the Arts and Culture

Yokohama Dance Collection

Performing Arts Market in Seoul 2016

14:40-15:10

Golden Mask Festival

Aging and Theatre — Appreciating “Now and Here” with People with Dementia

Feb. 10

10:00-10:30

Introducing Teslan Run by Tomomi Adachi and contact Gonzo, a Co-Production of KYOTO EXPERIMENT 2016 SPRING

MachiNations: ​Sustenance in a Landscape of ​Instability

The Activities of Open Network for Performing Arts Management (ON-PAM)

Beyond Archiving: Transmission of Arts and Culture in Cambodia

Bangkok Theatre Festival: Possibility of an Independence Theatre Event by Artist’s network

10:40-11:10

Esplanade – Theatres on the Bay: Presenter, Producer & Collaborator

AASAKTA: Experimental Theatre Company from India

Latest art scene in Brunei

“Itsuko Series” Dedicated to High School Students by lolo

11:20-11:50

KIAC, an Artist-in-Residence for Performing Arts

The Match Point — creating futures with Taiwan

Introducing contemporary dance productions- India

Five Years since Waiting for Godot in Fukushima

Collaborating with Cambodia: At the intersection of the traditional and the contemporary

12:00-12:30

GD+DDT+DG = Danish Dance 2017

The Saison Foundation’s residency program: Visiting Fellow

A Gathering of “Think BIG!” People Who Want to Change the Situation of Performing Arts Managers’ Sweatshop Labor Condition

The Programs of “Arts Commission Yokohama”

Introduction of Bangkok Art and Culture Centre

12:40-13:10

The Japan Foundation Asia Center is now acting – its Missions, Concept and Projects

Introducing “Myosical” by FUKAIPRODUCEHagoromo

Korea’s emerging artists

”BIRD” Theatre Festival TOTTORI and its community-based programme

MachiNations: Sustenance in a Landscape of Instability